The ada omo daddy 2025 movie enters the Nollywood scene with a thunderous emotional premise: what happens when a long-lost father suddenly reappears in his daughter’s life just before her wedding? Is forgiveness automatic, or should abandonment carry lasting consequences?
Blending themes of identity crisis, parental loyalty, and societal expectations, this family drama attempts to tug at heartstrings while stirring up controversy. However, what should have been a layered portrayal of estrangement and reconciliation becomes a tale clouded by conflicting messaging, technical flaws, and rushed emotional arcs.
Cast Details
- Omowunmi Dada as Pero Balogun
- Sola Sobowale as Mrs. Ireti Balogun
- Charles Okafor as Ifeanyi
- Dele Odule as Chief Balogun
- Tayo Faniran as Victor
- Mercy Aigbe – Supporting Role
- Chiwetalu Agu – Veteran Presence
- Adewale Ayuba – Musical Appearance
Crew Details
- Directed by: Kazeem Adeoti, Mercy Aigbe, Akay Mason
- Written by: Yakubu Olawale
Release Details
- Title: Ada Omo Daddy (2025)
- Premiere Date: February 21, 2025
Streaming Details
- Platform: Available to stream on Circuits TV
- Languages: English and Yoruba (dual-language format)
- Accessibility: Widely available to Nollywood fans globally
- Note: The bilingual format enhances cultural authenticity and supports the film’s central themes of identity and tradition.
Omowunmi Dada as Pero Balogun
Omowunmi Dada (born October 2, 1989) is a Nigerian actress best known for her role as Folake in the M-Net television series Jemeji.
She gained further recognition for her performance in the 2017 Yoruba-language film Somewhere in the Dark, which won Best Indigenous Film at the 2017 Africa Magic Viewers’ Choice Awards (AMVCA). Her role in the film also earned her a Best Supporting Actress (Yoruba) nomination at the Best of Nollywood Awards the same year.
In Ada Omo Daddy (2025), Omowunmi Dada plays Pero Balogun, a central character whose journey reflects the emotional and cultural heart of the film. Pero is portrayed as a strong, intelligent, and determined young woman caught between family expectations and personal desires. Her character navigates the tension between tradition and modernity, love and obligation.
Omowunmi Dada delivers a nuanced performance, bringing depth and vulnerability to Pero’s role. She captures the inner conflict of a daughter striving to honor her family while also forging her own path. Her expressive acting and emotional range make Pero a relatable and compelling character, anchoring much of the film’s dramatic weight.
Screenshots
Trailer
Review
The central conflict in the ada omo daddy 2025 movie revolves around Pero, a successful young woman with a promising future. Just as she’s about to step into a new life with her fiancé, Victor, she receives an unexpected call from a man claiming to be her biological father.
What follows is a journey filled with inner turmoil, family confrontations, and a reexamination of loyalty, truth, and trauma. As secrets unfold, Pero is forced to decide whether to embrace her newfound father or stand by the man who raised her—Chief Balogun.
Despite its emotionally potent setup, the ada omo daddy 2025 movie simplifies deep emotional scars into quick-fix moments of reconciliation. Ifeanyi, the absentee father, is painted as a misunderstood man rather than someone who willingly abandoned his responsibilities.
Instead of confronting his past with honesty and remorse, Ifeanyi gaslights his way into the narrative, using emotional manipulation and half-truths. Yet, the film presents him as a hero in the final act, expecting the audience to sympathize with him.
Meanwhile, Mrs. Ireti, who protected and raised her daughter under difficult circumstances, is subtly villainized for hiding the truth. The film’s skewed moral compass leans heavily in favor of patriarchal redemption arcs, which may feel unsettling for audiences attuned to the emotional nuances of abandonment.
Sola Sobowale delivers an emotionally charged performance, capturing the fear, anger, and protectiveness of a mother haunted by past trauma. Omowunmi Dada also deserves praise for portraying Pero’s identity crisis with restraint and realism.
Charles Okafor, making a return to the big screen, fails to fully embody Ifeanyi’s complexity. His portrayal lacks the remorse that such a pivotal role demands, making his sudden redemption feel unearned. Tayo Faniran underperforms as Victor, contributing little emotional depth or chemistry to his scenes with Pero.
The supporting cast adds color and cultural flavor, but character development is often sacrificed for dramatic spectacle.
The visual polish of the ada omo daddy 2025 movie is undeniable. Directed with an eye for opulence, the film contrasts Nigeria’s elite lifestyle (shown through Chief Balogun’s mansion and business empire) with Ifeanyi’s humbler surroundings. The wedding scenes are particularly striking, showcasing authentic Yoruba, Igbo, and Efik-inspired attire and customs.
Unfortunately, the soundscape is one of the film’s weakest aspects. Overbearing music swells in moments where silence would have allowed raw emotion to breathe. The background score frequently drowns out key dialogue, making emotionally significant scenes hard to follow.
Instead of letting body language and acting convey depth, the film relies on manipulative music cues to force audience empathy—especially toward Ifeanyi. This audio overreach disrupts emotional authenticity and undermines the story’s impact.
Flashback sequences suffer from poor continuity. For instance, Mrs. Ireti’s younger self is portrayed with modern makeup and attire that clash with the supposed time period. These small but jarring inconsistencies further pull the viewer out of the story.
Perhaps the most memorable sequence in the ada omo daddy 2025 movie is the grand wedding finale. Traditional outfits, joyful music, and cultural dances turn the event into a dazzling visual climax.
But this celebration masks the unresolved emotional conflicts. Instead of dealing with the aftermath of Ifeanyi’s sudden return and the trauma it unearths, the film shifts its focus to spectacle. It’s a classic Nollywood distraction—style over substance.
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